What’s Some Drolls Are Like That And Some Are Like This all about?:
This story follows a wandering story teller as he takes a couple of tourists on a tour around his local area, telling old stories along the way.
What did I think?:
As the final story in this collection, I have to admit I was expecting something quite majestic. Unfortunately, it didn’t quite end on the note I was anticipating – rather than Notes From The House Spirits which I thoroughly enjoyed, I found myself rather underwhelmed by the story chosen to be the finale of the entire collection. Of course, there is no denying the magical, whimsical nature of Lucy Wood’s writing and as always, I appreciated the nod to Cornish folklore and her ability to spout words like poetry but compared to other stories I’ve read by her, this was rather a damp squib in comparison.
Lucy Wood, author of the short story collection Diving Belles.
Due to the quirky nature of Lucy’s writing, I’m struggling to describe what exactly this story is about in more than a few sentences but I’ll try my best. It follows a droll (Cornish word for a travelling story teller), who comes across two tourists willing to pay him for a tour and to tell stories along the way – old legends, ghostly happenings and the like. As he’s often homeless and uncertain of where his next meal is coming from, he gladly agrees but during the tour he begins to realise something is seriously wrong. Although he is suggested to have one hundred years experience of the town, its people and its tall tales, he can’t seem to remember any of the stories he once knew so well in any great detail. Images keep coming to his mind of things that might have happened, some of them horrific (or are they just stories?) and he appears to be getting quite befuddled about how much of his knowledge is fact and how much is fiction.
Beautiful Cornwall, the inspiration and setting for the stories in this collection.
So, I finished the story about ten minutes ago and knew I’d have to write my review immediately as I would lose track of what it was actually about. Not much more goes on than what I told you and to be perfectly honest, the ending was so abrupt, I’m finding it difficult to recall what actually happened. Lucy Wood has a bit of a pattern with ending her stories quite suddenly, often without resolution or answers and most of the time, I find this works really well but there’s other times where you just wonder what the whole point was in the first place.
This story isn’t bad, by any stretch of the imagination. I’ve certainly read a lot worse and I must stress that the writing is truly beautiful. I loved the way that the droll is compared to a tree, even his skin beginning to resemble the furrows of wood and later on, he finds moss in his fingernails which also harks back to the symbolism of a tree. Is he really as old as he is? Who knows? There’s a lot of magical realism thematically throughout this collection and it’s quite conceivable that he could be a different entity that has known a man who fought in the Napoleonic Wars as he suggests. I think the problem with this story for me was that I just didn’t feel anything for it. It didn’t move me, I didn’t connect with the characters and sadly, I just didn’t really “get” what the author was trying to say.
Overall, if you enjoy magical realism and stories steeped in folklore this is a great collection as a whole, it’s just a shame I gravitated towards other tales other than this one.
Would I recommend it?:
Star rating (out of 5):
NEXT SHORT STORY: The Bloody Chamber by Angela Carter from the collection The Story: Love, Loss & The Lives Of Women.