House Of Windows

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British Books Challenge 2015 – The Round Up

Published January 3, 2016 by bibliobeth

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2015 was my third year of participating in the British Books Challenge and I’m absolutely loving finding new British authors and discovering old ones too. Here’s what I read in 2015, please click on the title to see my review:

The Secret Garden – Frances Hodgson Burnett

The Devil In The Marshalsea – Antonia Hodgson

Under A Mackerel Sky – Rick Stein

A Terribly Strange Bed – Wilkie Collins

Silver Bay – Jojo Moyes

The Miniaturist – Jessie Burton

Five Children and It – E. Nesbit

Elizabeth Is Missing – Emma Healey

Magpies – Lucy Wood

Honeymoon In Paris – Jojo Moyes

The Good Children – Roopa Farooki

Ironheart – Allan Boroughs

The Five Orange Pips – Arthur Conan Doyle

The Murder Bag – Tony Parsons

She Murdered Mortal He – Sarah Hall

Dangerous Boys – Abigail Haas

The Raven’s Head – Karen Maitland

The Long Shadow – Mark Mills

Miss Carter’s War – Sheila Hancock

Keeping Watch Over The Sheep – Jon McGregor

The Archduchess – Daphne du Maurier

The Oversoul – Graham Joyce

Plague Land – S.D. Sykes

A Colder War – Charles Cumming

Flour Babies – Anne Fine

The Summer We All Ran Away – Cassandra Parkin

Cellists – Kazuo Ishiguro

Mrs Hemingway – Naomi Wood

Us – David Nicholls

Gretel And The Dark – Eliza Granville

The Lion, The Witch And The Wardrobe – C.S. Lewis

Frozen Charlotte – Alex Bell

Bloodsport – Tom Cain

The Lemon Grove – Helen Walsh

Kew Gardens – Virginia Woolf

Funny Girl – Nick Hornby

The Velveteen Rabbit – Margery Williams

No Other Darkness (Marnie Rome #2) – Sarah Hilary

The Giant’s Boneyard – Lucy Wood

Golden Boy – Abigail Tarttelin

A Want Of Kindness – Joanne Limburg

Gangsta Granny – David Walliams

Half Bad – Sally Green

The Man With The Twisted Lip – Arthur Conan Doyle

I Let You Go – Clare Mackintosh

The NightLong River – Sarah Hall

Knife Edge – Malorie Blackman

This Book Is Gay – James Dawson

She Is Not Invisible – Marcus Sedgwick

The Beloved – Alison Rattle

The Graveyard Book – Neil Gaiman

Airshow – Jon McGregor

The Menace – Daphne du Maurier

A Song For Issy Bradley – Carys Bray

Candia – Graham Joyce

Night Music – JoJo Moyes

Extremes: Life, Death And The Limits Of The Human Body – Kevin Fong

Gingerbread – Robert Dinsdale

The Mistletoe Bride – Kate Mosse

The Taxidermist’s Daughter – Kate Mosse

More Than This – Patrick Ness

Watership Down – Richard Adams

The Rat In The Attic – Brian McGilloway

All The Birds, Singing – Evie Wyld

The Last Wild – Piers Torday

The Dark Wild – Piers Torday

The Wild Beyond – Piers Torday

How To Fly With Broken Wings – Jane Elson

Goodnight Mister Tom – Michelle Magorian

The Bees – Laline Paull

The Ice Twins – S.K. Tremayne

Beachcombing – Lucy Wood

House Of Windows – Alexia Casale

A Man And Two Women – Doris Lessing

The Ask And The Answer – Patrick Ness

The Class That Went Wild – Ruth Thomas

Life After You – Lucie Brownlee

A Wicked Old Woman – Ravinder Randhawa

The Adventure Of The Blue Carbuncle – Arthur Conan Doyle

Vuotjärvi – Sarah Hall

The Well – Catherine Chanter

So by my calculations that makes it 81 books read! Highlights for this year include my continuing love for Patrick Ness, the amazing House of Windows by Alexia Casale which absolutely floored me, the beauty that is Goodnight Mister Tom (why did I wait so long to read that?!) and All The Birds Singing by Evie Wyld which was just gorgeous. Looking forward to reading some more great British books in 2016.

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Author Interview – Alexia Casale on her new YA novel House Of Windows

Published November 23, 2015 by bibliobeth

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ALEXIA CASALE – A BIOGRAPHY

Shortlisted for the Waterstone’s Children’s Book Prize. Longlisted for The Branford Boase Award. A Book of the Year 2013 for the Financial Times and Independent.

A British-American citizen of Italian heritage, Alexia is an author, editor and writing consultant. She also teaches English Literature and Writing.

After an MA in Social & Political Sciences (Psychology major) then MPhil in Educational Psychology & Technology, both at Cambridge University, she took a break from academia and moved to New York. There she worked on a Tony-award-winning Broadway show before returning to England to complete a PhD and teaching qualification. In between, she worked as a West End script-critic, box-office manager for a music festival and executive editor of a human rights journal.

She’s not sure which side of the family her dyslexia comes from, but is resigned to the fact that madness runs in both. She loves cats, collects glass animals and interesting knives, and has always wanted a dragon.

Alexia is represented by Claire Wilson of Rogers, Coleridge & White.

Her debut novel, The Bone Dragon, is published in English by Faber & Faber, and in German by Carlsen.

Click on the books to get to the link for GoodReads!

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For my review of The Bone Dragon, click HERE.

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For my review of House Of Windows, click HERE.

Interview with Alexia Casale

I’d like to welcome Alexia to bibliobeth today and thank her very much for her time in giving this interview.

1.) House of Windows is a very different book to your debut The Bone Dragon. Did you set out to write such a completely different story or was it an idea that developed over time?

I started working on a version of House of Windows when I was thirteen, long before I thought of the pieces of story that became The Bone Dragon. Returning to this ‘old’ project after The Bone Dragon allowed me to start as I mean to go on by showing that I plan to write all sorts of books, across all sorts of genres: it’s the story and characters that attract me to a book, not the genre or readership. But I love that Faber took such trouble over the look of House of Windows so there was a connection between the two, at least with appearances!

bibliobeth (“Both the covers are absolutely beautiful, designed by Helen Crawford-White.”)

2.) Our main character in this novel is Nick and his story reads like a “coming of age” epic. Is he based on anyone you know and was it hard to say goodbye to him at the end?

Nick, or a version of Nick, has been living in my head since my early teens so I doubt I’ll ever be rid of him. The thing that’s changed is that he’s no longer demanding that I write his story: he’s out there between the pages to meet other people, so he doesn’t take up my time creatively any more. But he’s not gone, just like Evie’s not gone. I guess it’s like former colleagues who’ve become friends: it’s all fun now, rather than mostly hard work!

Different bits of Nick are based on different people. There’s a certain amount of me in him, as there is with any protagonist, then there are bits of various people I went to University with, and bits and bobs of family members and family friends… The people we meet and know and love and hate are how we understand how people work. No matter what a writer says, that’s the resource we all draw on to create characters.

3.) You paint a beautiful picture of Cambridge in the novel, a city that you know well. Did most of your research for this novel involve having to re-visit and why in particular did you choose to set your story here?

Going back to Cambridge is always wonderful and it was fantastic to have an excuse to revisit some of my favourite places in the University and the town. Mostly I went to take photos in case I needed them for publicity or promotions stuff – I’m hoping to make a book trailer once YA Shot is over! Cambridge is so close to my heart that I didn’t need to re-visit. That’s why the book had to be set in here: I had all the passion and joy in the place that Nick needed and it was a lovely thing to share with him. I got to fall in love with Cambridge all over again through him, sharing all the little details of one of my favourite places in the world.

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King’s Chapel in Cambridge from The Backs (photograph provided by author)

As for the ‘character’ of the University, most people imagine Cambridge is posh and snotty and that it takes itself very seriously, but that’s only true of some aspects and some people. The thing I’ve tried to capture is how Cambridge is a world unto itself and everyone plays along because it’s fun… but we all get how daft it all is. Take the language: you have to learn it because everyone stops speaking English at the gates, but that’s not a hardship because it’s basically a very silly game you all get to bond over. So what most people probably see as a way of excluding the rest of the world is more about building a sense of community around fun and not taking yourself or the whole Cambridge life too seriously. I really hope that comes across. But the bottom line is that Cambridge is beautiful and fascinating: the key aspects of most compelling settings.

IMG_4756-001Trinity Hall, Jerwood Library from Clare Bridge, Cambridge (photograph provided by author)

4.) You touch on some emotional subjects in this novel, in particular the relationship between Nick and his father. Do you think that if their relationship had been better Nick would have been a different person as a result?

Definitely! Nick is emotionally unintelligent and maybe he always would have been, but a loving, healthy family dynamic would doubtless have mitigated his natural cluelessness: it’s hard for someone who doesn’t naturally ‘get’ people if there’s no one to help him figure those things out. If even one of his parents had helped him learn how to relate to other people, he’d have lived a very different life. He’d still be super-smart but maybe if he had been busy having a social life and doing something other than studying and more studying, he wouldn’t have gone to Cambridge at 15… Which is not to say that Nick isn’t responsible for his own choices, but he is still a kid. He gets a lot of stuff wrong but I appreciate how little help he’s had in getting it right. Nick isn’t written to be likeable, but I really hope people will grow to understand him. Even if they still think he’s spiky, difficult little smart arse, I hope they’ll also empathise with him by the end of the story.

5.) Are you working on anything now and can you tell us a little bit about it?

Many things! I’m writing a WWII adult historical novel. And a psychological thriller in a similar vein to The Bone Dragon. And also the first in a potential series.
But obviously the main thing is YA Shot until November!

bibliobeth: (“I actually cannot wait!!”)

IMG_4992-001The Bridge Of Sighs at St John’s, Cambridge (photograph provided by author)

Now for some quick fire questions!:

E book or real book?
Real book EVERY TIME. As a professional editor, ebooks are too much like work.

Series or stand alone?
Depends. Series for fantasy. Standalone for thrillers. Series for historical. Standalone for literary/contemporary. Series for crime. Sometimes. Oh, I don’t know. Just give me all the books and an eternity to read them.

Fiction or non-fiction?
Fiction for pleasure every time. As a researcher, I’m hardly anti non-fiction, but getting the most out of non-fiction is always hard work. Books are sometimes just for fun.

Online shopping or bookshop trawling?
Online at the moment because of time and energy issues! But I LOVE secondhand bookstores. Many of my happiest family holidays of a kid were spent in Hay-on-Wye (aka Bliss-on-Earth).

Bookmarking or dog-earing?
Bookmarks for reading. Dog-earring for permanently marking things I think are amazing. Dog earring for recipe books.

Once again, a HUGE thank you to the lovely Alexia Casale for her efforts in making this interview possible. I can’t wait to see what she comes up with next and be assured, I will definitely be reading it.

House of Windows was published on 6th August 2015 by Faber Children’s Books and is available from all good book retailers now. I also highly recommend her debut novel The Bone Dragon which was short-listed for the Waterstones Children’s Book Prize.

House Of Windows – Alexia Casale

Published November 22, 2015 by bibliobeth

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What’s it all about?:

‘The body is a house of many windows: there we all sit, showing ourselves and crying on the passers-by to come and love us.’ Robert Louis Stevenson

Nick hates it when people call him a genius. Sure, he’s going to Cambridge University aged 15, but he says that’s just because he works hard. And, secretly, he only works hard to get some kind of attention from his workaholic father.

Not that his strategy is working.

When he arrives at Cambridge, he finds the work hard and socialising even harder. Until, that is, he starts to cox for the college rowing crew and all hell breaks loose…

What did I think?:

Alexia Casale first drew me into her magical little world with her first novel The Bone Dragon and her latest YA effort, House of Windows, cemented me completely as a loyal and admiring fan. I think I should mention that it’s a very different novel to The Bone Dragon but this is in no way a slight to the author’s writing. In fact, I was left in awe by her accomplished style and undeniable talent in making me feel so much for a fictional character that is, to be perfectly honest, not a particularly likeable person at the start of the novel.

The story centres around Nick, a young boy who is so intelligent that he is about to embark on university life at Cambridge, no less, at the tender age of fifteen. Unfortunately he does not endear himself to anyone at the beginning – outwardly, he’s a bit of a smart-arse and tends to show off about how intelligent he is which is an annoyance to everyone he meets. But as the story continues, we begin to realise that Nick is a sensitive, sweet soul that just wants a niche to fit in and friends he can call his own.

When we meet Nick’s father, Michael, we understand a lot more about his character. The reasons behind his social awkwardness, his difficulty with people in general and his tendency to shut away a lot of his feelings are laid down in black and white. Michael is a workaholic and often absent in his son’s life, leaving a lot of Nick’s upbringing to family friends and leaving him to navigate the scary world of university almost completely alone without the advice and support that he should be providing. I really connected personally to Nick’s problems with his father and found him both enraging and exasperating. In fact, I referred to him in my mind as his father, genetically speaking and nothing else.

Despite Nick’s issues with his father, he manages to find a place of sorts in the university with the help of characters like Tim, Ange (beautiful, crazy fairy lady) and Professor Goswin who I had a real soft spot for. For the first time, we see Nick managing to open up, admit he is vulnerable and accept help in the unlikeliest of places. In the end, I felt like even though we can’t change what is given to us biologically family-wise, we can make our own family by surrounding ourselves with people who love and care for us and accept the person we are. The quote by Robert Louis Stevenson in the synopsis is a perfect way to describe this book, a coming of age epic that teaches us that there is nothing wrong with being ourselves and asking for help if we need it. Alexia Casale has written a simply stunning novel which slowly builds up to a narrative that affected me more than she will ever know.

“You’re not listening. Like so many people, you think that the important moments in the story of a life are big and loud, where really they’re small and quiet. Someone on the outside would think these moments unworthy of note, but you must recognise the important moments of your own life when they happen. It is very important.”

Come back tomorrow for my interview with the lovely Alexia Casale!

Would I recommend it?:

But of course!

Star rating (out of 5):

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