What’s it all about?:
The Sunday Times Number One Bestseller
A picture hides a thousand words . . .
On a hot July day in 1967, Odelle Bastien climbs the stone steps of the Skelton gallery in London, knowing that her life is about to change forever. Having struggled to find her place in the city since she arrived from Trinidad five years ago, she has been offered a job as a typist under the tutelage of the glamorous and enigmatic Marjorie Quick. But though Quick takes Odelle into her confidence, and unlocks a potential she didn’t know she had, she remains a mystery – no more so than when a lost masterpiece with a secret history is delivered to the gallery.
The truth about the painting lies in 1936 and a large house in rural Spain, where Olive Schloss, the daughter of a renowned art dealer, is harbouring ambitions of her own. Into this fragile paradise come artist and revolutionary Isaac Robles and his half-sister Teresa, who immediately insinuate themselves into the Schloss family, with explosive and devastating consequences . . .
Seductive, exhilarating and suspenseful, The Muse is an unforgettable novel about aspiration and identity, love and obsession, authenticity and deception – a masterpiece from Jessie Burton, the million-copy bestselling author of The Miniaturist.
What did WE think?:
CHRISSI: How does The Muse compare to The Miniaturist?
BETH: The Muse is Jessie Burton’s second novel after the roaring success of her debut, The Miniaturist which I thought was great but I actually enjoyed this one more. Physically speaking, they are both beautiful specimens with some gorgeous art but more specifically, they are both works of historical fiction that tell their stories from the perspective of strong women. In The Muse, we actually follow the stories of two women in different countries and time periods but who are strikingly similar in some aspects. There is a link between both stories which is brought together towards the end of the novel but part of the fun of this book is watching it all being brought together.
BETH: There are a number of supporting characters in this novel. Which one was your favourite and why?
CHRISSI: Ooh interesting question. I think my favourite character would have to be Cynth. I really liked their friendship and thought it came across really well in the beginning. It is their friendship that immediately hooked me in the story. I wish we would’ve seen more from her!
CHRISSI: The story is split between London in 1967 and Spain in 1936 – what parallels do you see between the two stories?
BETH: There are a lot of parallels between the two, one being as I mentioned above is the similarity between Odelle and Olive’s strength of characters. Both stories also feature a love interest that at some point in both narratives causes the women some concern for different reasons. Odelle and Olive are also both artists – Olive in the literal sense of the word is a very talented painter and Odelle is a writer. In both narratives they struggle with their art, being in both the thirties and sixties as something not many women did.
BETH: Discuss the character of Marjorie Quick and her relationship with Odelle.
CHRISSI: Marjorie Quick is an incredibly interesting character. I found her really intriguing right from the start. I think she saw something in Odelle right from the start which was really intriguing. Majorie really was an no nonsense character. She seemed incredibly protective over Odelle and I wondered why she was so keen to stifle the interest in the painting. She also seemed cautious over Odelle’s relationship. I found her to be an incredibly complex character and their relationship too seemed complex!
CHRISSI: Jessie Burton evokes two very different settings in London and Spain – how does she create the sense of place and time for both these storylines?
BETH: First of all, I loved that we got two such colourful stories with a multitude of intriguing and diverse characters. The author evokes the sense of London perfectly, from the fashions that were worn to places that were mentioned. It was quite a contrast between sections to be transported from a cold, dreary London to a hot, tempestuous Spain but the author’s use of descriptive prose meant that each setting was available in glorious and vivid detail.
BETH: Did you find any parts of this book difficult to read and why?
CHRISSI: If I’m honest, as I got further into this book I began to lose interest in it. I find Jessie Burton’s writing to be quite flowery and sometimes that doesn’t capture my imagination as much as I want it to. Don’t get me wrong, she is a brilliant writer, she’s just not my cup of tea.
CHRISSI: What was your favourite part of this book?
BETH: That’s such a hard question as I really loved every single minute from start to finish. There wasn’t even a narrative that I preferred, both were perfect and equally fantastic. If I had to choose though it would be a certain scene in Spain when a certain shocking event occurs that I was NOT expecting. (no spoilers!)
BETH: Would you read another book by this author?
CHRISSI: I don’t think so. A great writer- sure, but not one that I’ve connected with during both of her books.
Would we recommend it?:
BETH: But of course!
Star rating (out of 5):